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<title>Department of Administration and Human Resource</title>
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<dc:date>2026-04-22T02:43:49Z</dc:date>
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<title>Oral Tradition as an Instrument of Revolutionary Change In Ngugi W A Thlongo's Devil on the Cross</title>
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<description>Oral Tradition as an Instrument of Revolutionary Change In Ngugi W A Thlongo's Devil on the Cross
Ahmed, Kabir
Ngugi wa Thiong'o started out as a cultural-cum-political&#13;
nationalist as well as a deeply religious novelist. At the time he wrote&#13;
his early novels, his loyalties were divided between his reverence for&#13;
Christian religion and his desire to defend aspects of the Gikuyu cultural&#13;
tradition and politics.
Ngugi wa Thiong'o started out as a cultural-cum-political&#13;
nationalist as well as a deeply religious novelist. At the time he wrote&#13;
his early novels, his loyalties were divided between his reverence for&#13;
Christian religion and his desire to defend aspects of the Gikuyu cultural&#13;
tradition and politics. For instance, in his portrayal of Christianity in&#13;
The River Between (1965) Ngugi was both encouraged to see&#13;
religion as positive, because it taught reconciliation and unity- his two&#13;
main concerns in the story, and also as negative, because its champions&#13;
attempted to wipe out aspects of the Gilcuyu cultural tradition which he&#13;
cherished as a cultural nationalist.
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<dc:date>1992-01-01T00:00:00Z</dc:date>
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